SplotchScrapbook

Crayon brush — reference strokes

Reference images of crayon marks on paper, generated with Gemini's image model. Each stage isolates one behavior the app's crayon brush has to match.

31 samplesGemini 3.1 Flash ImageCompare with the shipping brush →

Single lines

9 samples

One straight stroke per crayon color. Every later stage builds on this mark.

What to look for
  • Paper texture shows through the stroke as white speckle.
  • The edges are ragged, not smooth.
  • A little extra wax collects where the stroke starts and stops.
single red line1-line-red
single orange line1-line-orange
single yellow line1-line-yellow
single green line1-line-green
single blue line1-line-blue
single purple line1-line-purple
single brown line1-line-brown
single black line1-line-black
single pink line1-line-pink

Same-color buildup

4 samples

The same crayon drawn back over its own stroke. Each pass adds wax, so the overlap gets darker and more solid.

What to look for
  • Two passes read clearly darker than one.
  • Heavy pressure fills the paper grain; light pressure leaves it open.
  • The change is gradual, not a hard step.
red drawn over twice2-buildup-red
blue, right half double-passed2-buildup-blue-halfoverlap
green scribble built up in the center2-buildup-green-scribble
brown light vs heavy pressure2-buildup-brown-pressure

Color mixing

4 samples

One color drawn across another. Where the strokes cross, the two waxes mix. Away from the crossing, each color stays itself.

What to look for
  • Red over blue turns purplish, blue over yellow turns green, red over yellow turns orange-red.
  • The top color does not fully hide the color underneath.
  • Mixing is confined to the overlap.
red stroke crossed by blue3-cross-red-blue
yellow under blue → green3-cross-yellow-blue
red drawn over a yellow line3-over-yellow-red
pink and blue layered into purple3-layer-purple-pink-blue

Scribbles

8 samples

The marks a two-year-old actually makes: back-and-forth fills, round-and-round scribbles, zigzags, hatching, loops, spirals, dots, and tangles.

What to look for
  • Fast changes of direction keep the same grainy edge.
  • Where a scribble crosses itself, the buildup rules from stage 2 apply.
  • Short stabs leave small dense blobs, not thin lines.
back-and-forth fill (blue)4-scribble-backforth-blue
circular scribble (red)4-scribble-circular-red
zigzag (green)4-scribble-zigzag-green
parallel hatching (purple)4-scribble-hatch-purple
loop-de-loops (orange)4-scribble-loops-orange
spiral (brown)4-scribble-spiral-brown
wild multicolor scribble4-scribble-wild-multi
stabbed dots (pink)4-scribble-dots-pink

Fills and swatches

4 samples

Whole areas colored in at light and heavy pressure, plus blended gradients.

What to look for
  • A heavy fill is still grainy, never a flat solid color.
  • A light fill is mostly paper, with color caught on the high points.
  • Pressure and color change smoothly across a gradient.
solid-ish red fill swatch5-swatch-red
light blue fill swatch5-swatch-blue-light
green pressure gradient swatch5-swatch-gradient-green
blended sunset swatch5-swatch-blend-sunset

Close-ups

2 samples

Extreme close-ups of the wax on the paper grain, to show how the texture is made.

What to look for
  • Thick wax sits on the raised bumps of the paper; the pits between them stay bare.
  • Faint streaks run along the direction of the stroke.
  • Where the wax is thin it turns translucent instead of disappearing.
macro: deposit on tooth (blue)6-macro-single-stroke
macro: thin dusting vs heavy wax (red)6-macro-buildup-edge

How the images were made

Every sample came from the gemini-3.1-flash-image model. One shared prompt describes the paper, the wax texture, and the framing; each sample adds a single sentence describing its mark. Open a sample to read that sentence. The raw output was downsized to 1024 px wide WebP files, which are the images on this page.

Shared prompt

Top-down flat scan of a real children's wax crayon mark on off-white lightly textured drawing paper. Authentic waxy crayon look: grainy broken coverage, the paper tooth showing through as tiny white speckles, slightly uneven pressure so the mark is darker in some spots and lighter at the edges, small waxy buildup at the ends of strokes. Only the crayon mark is visible — no crayon, no hand, no shadow, plain paper background, soft even lighting, no photographic vignette. Centered with generous white margin around the mark.